![]() Old strings can be just fine as long as they’re not caked with dirt and oil and gunk and just about to snap. You don’t need new bass strings as a prerequisite for good onstage bass sound, unless you just happen to prefer the bright sound of new strings. You ought to be generally amiable anyway just on general principal, but pissing off the soundperson - competent or not - never bodes well for your treatment at the mixing board.Īnd now a parting word about bass strings. Without luck, you might have one who isn’t too knowledgeable, but if you behave at least politely toward him, he might be more receptive to your suggestions and instructions. #Bass guitar rig how toWith luck, you’ll have a competent sound-runner who knows how loud you should be and how to make the most of your tone out in the room, which you very likely won’t be able to hear. A simple passive direct box will do in most cases decent ones are available new in the $25-$50 range.Īdditionally, be as genial as possible to the soundperson, who may or may not know what they're doing. You don’t need a super-expensive one with eight switches, three forward gears and satellite connectivity. In case your amp doesn’t have its own XLR output that can send the signal straight into a PA system, have a direct box. The audience will hear your bass sound mostly from the PA system rather than from your amp. But if you’re using, say, two smaller stacked cabinets without casters on the lower one, you should find a stable way of raising the lower cabinet off the floor or stage, even if only slightly. Most larger bass cabs (4×10” and bigger) have casters that provide a couple inches of lift, making for convenient transport and avoidance of floor coupling. You want your cabinet up off the floor, even if it’s only an inch or two. This is floor coupling, and you don’t want it to happen, because it can increase boominess to a maddening extent, robbing your sound of clarity and definition, and it’s almost impossible to control. If your cab sits directly on the floor or the stage with no space in between, the vibrations from the cab will be transferred to and through the floor. Monitors, if there are any, can help with this.Īnother good reason for raising your amp is that you want to avoid an unpleasant condition called floor coupling. If stage conditions are cramped, however, and your cab is at kneecap level only a foot or two behind you, understand that while you won’t be able to fully hear yourself quite as well - because most of your volume is hitting your calves rather than your eardrums - you should probably resist the urge to turn up. Your cabinet will likely be at your kneecap level (unless you raise it, which isn’t a bad idea), although this isn’t really an issue if you’re standing several feet in front of it. A combination of two 10” speakers and a single 15” speaker would work well, though.Īt the venue, your cab will probably not be at your ear level, although it might be near the audience’s ear level depending on the height of the stage. Otherwise, 15” speakers will give an accordingly boomier sound, but these usually come in considerably bulkier 2×15” cabinets, which might be a bit much for the gig and more difficult to transport. Too loud is not.Ĭabinets with 10” speakers will give you a tighter, punchier and more focused sound, so you can’t really go wrong at a medium-size club gig with, say, one 4×10” cabinet. Provided there’s a decent PA system and a soundperson who knows how to run it, you only need to be able to hear yourself and your bandmates onstage, so the bazillion-watt dual 8×10” concert rig can stay at home. You can certainly bring more power, because, well, better too much than not enough, but 100 watts ought to suffice. Let’s start with how much power you need and your onstage volume.ġ00 watts, like the Rumble 100, ought to do nicely. For the sake of somewhat arbitrary comparison, a small gig would be something like a coffeehouse and an audience of 25-100, and a large gig is anything that involves an audience of more than 500. #Bass guitar rig freeYou know your gear, but you don’t know the room yet, and you’d like your performance to be as free of sonic problems and distractions as possible.įor our purposes here, a medium-size club gig is one that takes place indoors, before an audience of 250-500 (this applies to many churches and special events, also). Maybe you haven’t done many club gigs yet, so perhaps you’re wondering what you can do to make sure you get a good, solid bass sound. You’re a bass player with a gig coming up at a medium-size club. ![]()
0 Comments
Leave a Reply. |
Details
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |